| A real pain slut, Rain Degre loves to be marked up and bruised. She wants to leave the Factory covered in reminders of her time here. A true sadist, Nika Noire couldn't ask for better, and she goes to town on Rain's thighs with the cane. She gives her bitch regular breaks so she can show her appreciation by licking Nika's pussy and beg for pity. Rain screams out in agony and pleasure as she's abused in a strict bondage position with her body covered in painful clamps. There's no denying the tell-tale signs that Rain is a true bondage and pain whore.INTO THE GUTS - IN THE FLESH. I knew it. I knew I would have to confront myself to the touchstone into comments and into art at one moment : the confrontation between CLASSIC style and BAROQUE style. Many guys or gals, being too shy or fetishist, are not twisted members of the Factory : so, they are unable to see the classical masterpiece of Mz Berlin at CM as this week update in order to be able to compare these two styles. For Nika Noire is the embodiment of baroque style, the style of the bysantine churches of Russia. Let me settle the ground, as a commenter of Spanish "corridas" behind the scene : "classical" style is the form peacefully ruling the shiver of life into move ; "baroque" style is the diagonal of the form, forcing your brain through your eyes to dive into the motion of the move. Nika Noire is a master of Baroque style, and, in this shoot well hidden behind the scene, shot before the Dia Zerva ones, she was showing what's "baroque" means into porn. The soul of my soul is 'baroque', so I am able to understand the sense of this shoot.
A shoot heroic and brutal. An empathic shoot. The most heroic and brutal of the shoots of the Factory to this date. One of the most empathic ever. Rain is the portal of pain of the Spanish baroque churches, embodying into her face every painslut of CB history : San Sebastian Sarah Jane Ceylon, Cretan face of Audrey Hollander, into oblation to the pain. Nika Noire reaches here her early maturity, as a domme, a terrific one - the empathy of the pain, the "tremendist" style which was deserved to the very best into "tauromachia" history, the beginning and the end - Manolete and José Tomas. We are at the limit of CB shoots here, forgetting the porn crapula, when pain shows itself to be the real link between human beings. 70 hits from the cane for a girl whose skin doesn't mark the strokes etc. - that's what you were waiting me to write? This shoot is above judgement, because it is above judgement : we reach here the "corner of the absolute" : the decisive ground, the "sitio" in front of death. -- regisjean |
